[University of Michigan, 2006]
On December 2, 1983, Michael Jackson’s Thriller music video aired for the first time on MTV. It was fourteen minutes long, the most expensive
video of its time, and forever changed the way music videos were made. In 1984, Madonna’s then-risqué music video Like a Virgin paved the way for sexually
indecent music videos to come. In 1986,
the era of the music video showed its first signs of fading when spring break
shows hosted in Cancun, Miami Beach, and the Bahamas aired on MTV, featuring
barely-dressed women and celebrity hosts.
In 1988 music was once again brought to the forefront with the premiere
of Yo! MTV Raps, the first show to feature
hip-hop performances. In spite of this,
the beginning of the end of real music television manifested in 1992, with the
premiere of a reality television series called The Real World. The series had absolutely nothing to do with
music; seven strangers were picked to live in a house, work together,
and have their lives taped. From dating shows to make-over shows, MTV has
been going downhill ever since. It is
now television of poor quality, because not only does the network fail to show mostly
music videos and music-related content, but it also instills negative morals on
its young viewers, including inappropriate ideas about sex, image, and
perception of others.
MTV was launched in 1981, with the purpose of airing music videos,
music news, and music events. The
original MTV was modeled after Top 40 radio, with video jockeys (instead of
disk jockeys) introducing the videos being played. By the late 1990s, however, animated comedies
and reality shows such as Beavis and
Butt-head and Road Rules were
infiltrating the network at an astounding rate.
In response to criticism, MTV launched Total Request Live (TRL) in an effort to put the music back in
music television. However, MTV cheated the music itself by airing only thirty-second
clips of the videos on TRL. The rest of the show was a display of screaming
fans and promotional interviews with artists.
Today, the network has strayed so far from its original purpose that on
any given weekday, only about 10% of what is aired between 3 p.m. and 2 a.m. is
actually music-related. MTV programming
is almost entirely disconnected from music.
Television is just television, and some may argue that people watch
MTV merely for entertainment purposes.
Viewers should understand that even reality television isn’t always really real, so how could a plethora of
alcohol, foul language, and promiscuous sex on television have harmful
effects? It’s just entertainment, after
all. But consider MTV’s audience. According to the Nielsen Media Research, 73%
of boys and 78% of girls age 12 to 19 watch MTV. On average, boys watch about 6.6 hours of
MTV per week, and girls watch about 6.2 hours per week (Williams). MTV specifically targets pre-teenagers and
teenagers, and they are extremely effective in drawing in young viewers. With so much exposure to MTV, the ideas and
morals suggested by the programming becomes a part of the daily lives of its
young viewers, continuously enforcing its negative content. What may start out as entertainment for
teenagers may soon turn into a
model for behavior, because teens and pre-teens simply don’t know any
better. “Adolescents follow trends more
than any other age group,” says Julie Baker, associate professor of marketing
at Texas Christian University (Dick Jones
Communications). With millions of
viewers daily, MTV is most certainly a trendsetter. Because MTV is made just for them, young
viewers watch MTV and use it as the quintessential guide to being “cool” by
emulating the characters they see on their television screens. Just as Sesame Street teaches four and five
years old to count and recite the alphabet, MTV has the power to influence
adolescents in disturbing and profound ways.
One experiment showed that adolescents that watch MTV have more liberal
attitudes about sex than adolescents that do not watch MTV. In addition, seventh and ninth graders that
watch MTV for one hour are more likely to approve of premarital sex than those
that do not watch MTV (Greeson). Indeed, the influence of MTV on its young viewers is
significant, and the ways that MTV chooses
to influence its viewers (the network is surely aware of its impact on young
viewers) is both astonishing and unacceptable.
Sexual promiscuity and premarital sex are
promoted on MTV. A survey conducted by
the Parents TV Council followed 171 hours of MTV Programming; they found 1,548
sexual scenes containing 3,056 depictions of sex or nudity and 2,881 verbal
sexual references (West). Clearly, sex
is a common theme of most MTV shows. Sex
is treated in a casual manner, and appears so often that viewers may become used
to the idea of having sex or participating in sexual behaviors. The more exposure they have to sex,
the more likely young viewers are to think of it nonchalantly and as something
that is common to everyone.
Take Parental
Control, for example. A teenager, Jon,
makes extremely crude sexual references to his girlfriend’s parents, insisting
that he “got on” their daughter the previous night, and that “the only thing
she likes to ride is me.” He openly
admits that he and his girlfriend are sexually active, and kids watching the
show may get the idea that premarital sex is the cool thing to do, and
therefore is acceptable and safe. After
all, Jon and his girlfriend have sex,
and they’re on MTV, the most popular
channel for teens and pre-teens. If they’re having sex, teens might believe,
everyone else is, too.
Next is another show on MTV that promotes sexual
behavior. One episode of Next is titled “Doggy Style.” Although Trent—the main character—is accompanied by his dog, the
title alone still implies a “style” of sex, and encourages sexual behavior to
its young viewers. Next is a show in which a number of girls each go on one date with
a boy, and as soon as he becomes dissatisfied with the date, he “nexts” the
girl, eliminating contestants until he finds a suitable date. In “Doggy Style,” Marissa is so anxious to
win Trent’s heart that she gives him an open-mouth kiss within seconds of
meeting him. Later, about a half hour into the date, she kisses him again. This time the kiss is longer, more
passionate, and much more graphic. After seeing this kind of behavior on MTV,
girls may be more inclined to exert sexual behavior more quickly when spending
time with boys. Since Trent ends up
choosing Marissa as his perfect date, girls get the message that performing
sexual acts, even on the first date, is essential in attracting boys. In addition, boys watching MTV may expect more sexual acts from girls earlier
in a relationship. None of the
sexually active characters on MTV deal with the negative consequences of sex,
such as AIDS, pregnancy, STDs, or emotional strife. Furthermore, none of the characters promote
safe sex by mentioning condoms or other methods of contraceptives, and all of
the characters that are involved with sexual activities are very happy as
sexually active people. This is very
unrealistic, and fails to inform teenagers of the negative consequences that
often come with sex.
The ideas about image and perception of others that MTV presents to
its viewers are not appropriate by any means.
Nearly all of the characters featured on MTV programming are skinny and
good-looking. Furthermore, when
characters on MTV are not as skinny
and good-looking as other characters, they are often depicted as failures. In the show Next, Trent declares at the commencement of the episode that he
prefers a girl with a “smooth stomach.”
Young girls watching this show may assume that because Trent likes flat
stomachs, all boys prefer skinny girls.
While Trent is not representative of what all boys look for in girls, he
is nonetheless featured on a dating show on MTV. Because MTV is a program targeted
specifically at young people, and teenagers and pre-teenagers are more likely
to follow trends, the things that Trent and other characters on MTV does and
says can be considered trendsetters for teenagers. Girls may get the idea that being skinny is
the another key part of getting boys, and extreme dieting, anorexia, bulimia,
or even depression may result in this must-be-skinny mindset.
Alexandra, one of the contestants on Next, is eliminated in only eleven
seconds. Trent makes no attempt to
converse with her, and bases his decision to “next” her exclusively on looks
(she wasn’t as skinny or pretty as the other girls). Trent displays
extreme signs of
shallowness, judging people entirely on outward appearance. Girls watching MTV that aren’t beautiful and
skinny might develop extremely low self-esteem—Trent, a good-looking boy on
MTV, doesn’t even give Alexandra a chance.
If Trent ignores girls that aren’t perfect in body and appearance, why
would any other boy pay attention to a girl that is less than perfect? In addition, boys watching MTV might come to
the conclusion that it is okay to judge a girl solely on looks, accepting only
skinny and beautiful girls as datable.
While popular culture has always been considered controversial by
some, MTV has gone above and beyond the cutting-edge of what ought to be considered
“cool.” From Elvis Presley and Rock N’
Roll to Britney Spears and her too-sexy videos, history has shown that new
trends will always be developing and that kids will always adhere to what is
presented to them through the media. But
how far is too far? When the ideas
presented on television encourage sexual promiscuity and infuse inappropriate
ideas about image and perception of others, it is clear that today’s
programming needs to be closely reexamined.
MTV programming needs to be immensely revised so that it adheres to the
proper values and morals that we wish to instill into young people—and reflects
its original intention of music in
television—because it is the values and morals of MTV that kids are absorbing
and applying to their lifestyles. And do
we really want the future leaders of our country to be raised in a world of
sexual promiscuity, image-obsessed people, and superficiality? I think not.
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